Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black) $1,997.99 Only 5 left in stock - … Are you thick?The Sony A7sii is obviously a better comparison. / Mic. Thanks for the clarification Richard, that's what I was thinking but almost every website says it's 17.3 x 13mm sensor so it's really confusing. So, does this mean you are now going to review other video cameras with comparable specs or only ones that have the shape of a stills camera? Panasonic Lumix GH5S camera sample: ISO 4000, f/2.2, 1/60sec, 43mm (tap to see full-sized image) The Creative Video mode is the one you want to be in … ・ The software to process RAW file on computer is not bundled with this camera. Barry Green’s white paper on Vlog-L(From the Panasonic Website) defines the upper limit as exactly 4 stops above middle grey. "RAW really isn't in extended DR but in having some latitude in re-setting exposure after the fact". It looks like Panasonic got itself a winner for what they wanted to: a high-end video-centric ILC. Both companies make some very good and excellent lenses but they are the exceptions. Yes, you're right, DR and latitude are pretty much the same thing. In the GH5 the HLG mode is reported as "Limited" when you examine the video file on a computer. Plus it supports both video and 4K PHOTO, to greatly assists professional workflows in commercial photoshoots. Because your "FF" is arbitrary and pointless and not the best thing to use. Well-written review that even non-video users, such as me, can follow. Also, with only 10MP's, how good can the really be, especially if you need to crop, or print over 8x10"? Olympus has confirmed the transfer of its imaging business to Japan Industrial Partners Inc. has been completed, paving way for the future of the OM and Zuiko brands. we hear the more inquisitive among you ask. I will add it to my current Fuji XT2 and 3-4 Leica R and M lenses. I need to speak to Panasonic about a couple of things anyway, so I'll seek (further) clarification. ISO 1600 on the GH5s is a lot better than ISO 200 on the GH5 with CineD. Renowned LUMIX low-light AF performance has evolved to enable shooting down to the level of -5EV. I checked back for you. In product design, features lead to benefits. Then it fixed itself. You could pay a lot less for a FF or APS-C camera for MUCH better stills, IMO. / Digital Zoom / Stabilizer / 4K Live Cropping / Motion Pic. High resolution, weather-sealed bodies and wide dynamic range are all important. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet. 440 images (rear monitor), 410 images (LVF), 1,300 images (Power Save LVF mode*) with H-FS12060, *Under the test conditions specified by Panasonic based on CIPA standard. For a camera that wears 4K video credentials on its sleeve, and there is no loss of resolution, but excess available. Let me know if this still doesn't make sense. That helps us all tremendously. For the same DOF Panasonic will use 2 stops lower ISO and I don't see huge difference up to ISO12800 anyway.For rig setups this camera is excellent. The other thing Panasonic says contributes to giving the GH5S a performance boost in low light is the adoption of fewer and therefore larger pixels. Sony make super 35 cameras for both video and photo, but they also make FF for photo and video, and are seriously invested in either. Might that small of a difference be chalked up to measurement error, sample variation, operator error, or the brand, age or illumination of the step wedge used? The marriage of a new Digital Live MOS sensor with the beautiful Venus Engine reproduces extraordinary color detail and natural texture expression. Rolling shutter distortion, compared to the LUMIX GH5, is suppressed by approximately 1.3x with high readout speeds when recording video or using an electronic shutter. Mount the same lens on GH5 and GH5S and the 's' will give you a wider field-of-view when you switch to video mode. Designed exclusively for the LUMIX GH5S, the new Digital Live MOS sensor offers 10.28 effective megapixels and a significantly higher photoreceptive surface per pixel, delivering an ultra-wide dynamic range. However, regardless of what Panasonic says, there's also the limitation imposed by the oversized sensor: since the camera captures right out to the edge of the image circle there's simply no room to shift the sensor without risking capturing footage of the inside of your lens barrel. But we explain our reasoning so that you can decide whether our conclusion is relevant to you. Congress finally passes CASE to allow copyright holders to make small claims without resorting to costly legal processes via federal courts. Panasonic's LUMIX Image App for Android / iOS through Bluetooth 4.2 (Low Energy) enables remote shutter release, and video record Start / Stop. Let me repeat the question: why should it be a niche thing (video) only? Relay mode allows you to swap a full card out for an empty card so you can virtually record endlessly. a bit of insult on still centric cameras, too. The sensor isn't 17.3 x 13mm, it's oversized. This is because pixelated systems can only capture a certain percentage of their nominal resolution, but sampling at a higher resolution then downsizing (oversampling) can preserve some of the higher frequency detail it initially captures. Tele Conv. . Too bad the G9 doesn't have those. The ability to shoot DCI 4K at up to 60p with no crop is the most obvious distinction between this and the standard GH5, but the differences run deeper: As well as the ability to shoot DCI 4K at higher frame rates, Panasonic also claims the GH5S's larger pixels and 'Dual Native ISO' sensor will mean it shoots significantly better footage in low light. Even when they're 'off' they're not locked in place, they're simply set so that the electromagnets aren't attempting to correct for movement. *****, Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / Slot Change / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Copy / Anamorphic Desqueeze Display / HLG View Assist / HLG View Assist (HDMI) / LUT Monitor Display / LUT HDMI Display / Night Mode / Off / Restore to Default, Standard / Vivid / Natural / Monochrome / L. Monochrome / L. Monochrome D***** / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709 / Hybrid Log Gamma* / V-LogL, Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*. I did choose a7s for stills. But I agree I should make more clear that by trying to squeeze more dynamic range into a limited bit-depth file, you end up sharing those limited values over a wider range of tones (and hence risk posterization and noise). MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)), AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch), 3680x2760(L) / 2592x1944(M) / 1824x1368(S) / 3328x2496(4K PHOTO), 3840x2560(L) / 2736x1824(M) / 1920x1280(S) / 3504x2336(4K PHOTO), 4016x2256(L) / 2816x1584(M) / 1920x1080(S) / 3840x2160(4K PHOTO), 2752x2752(L) / 1936x1936(M) / 1360x1360(S) / 2880x2880(4K PHOTO), 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC), 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC), 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC), 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC), 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC), 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC), 59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps), 59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps), 50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps), 50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps). This is an absolutely fantastic review Richard! The Nikon Z7 II has the same great ergonomics as its predecessor, but has more processing power, dual card slots, 4K/60p video, improved autofocus and more. Its excellent video quality and extensive range of support features see it take top honors as we add the latest models to our guides. That said, when I pull the V-Log L footage into Final Cut Pro, it shows it clipping at IRE 75, not 80, so something odd is going on. Panasonic is always innovating anf never at the cost of losing build features and functions unnecessarily such as flip out fully articulating touchscreen, features like focus peaking, mic and headphone jack, excellent EVF, high framerate 240fps 1080p and DCI 4k 60fps.Panasonic hasn't cut corners with their GH and G series! Join filmmaker Justin Balog and his cycling partner Remi McManus as they take a trip through the Sonoran desert in the Southwestern United States with the Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH. the review/measure should be done based on the category.the G9 should have got Gold and this one shouldn't get any award. Thanks for checking. Panasonic Lumix GH5s Features. My understanding is that Panasonic changed the structure of its Raw files with the move to 14 bit, so you can't just spoof the camera ID. But don't get too excited – you still won't be able to download it until May 30th. Thanks for clarifying. It may not disturb the waters of still cameras, but it will of dedicated high-end videocameras. 10.2MP high-sensitivity MOS sensor with multi-aspect and dual native ISO (400 & 2,500) with a range from 160 – 51,200; extendable to 80 – 204,800. When [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit. It produces the best video footage we've ever tested and we didn't believe the omissions were likely to affect the target audience too much. Don't make the mistake of thinking that ISOs 400 and 2500 will give you the best results for stills shooting: they won't. Splash Proof does not guarantee that damage will not occur if this battery grip is subjected to direct contact with water. Good travel cameras should be small, versatile, and offer good image quality. 2.03x more megapixels (main camera)? ), 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit], except for [C4K/60p]/[C4K/50p]/[4K 60p]/[4K/50p]), 4:2:0 8bit (When [Rec Quality] is set to [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:0 8bit]. But the multi-aspect sensor and different base ISOs of the GH5s should be part of a more still-oriented camera. All of these suddenly show improved results above a certain ISO, then performance consistent with that step thereafter. RAW, RAW+Fine, RAW+Standard, Fine, Standard *RAW bit size is selectable from 14-bit or 12-bit. There is many camera with phase detect sensor and ibis for a lot less than GH5S. Gino, did you even read the review? There's also no recording duration limit so you can go beyond 30 minutes in all record settings. This allows you to focus precisely even under the lighting of a starlit sky, ideal for shooting nighttime nature scenes and documentaries. I learned a lot reading this review. AFS/MF: H: 11 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. But will they ever? I meant that casual movie maker like most of the target audience. The conclusion explains the logic behind the award and makes clear the limitations compared with other cameras (at things it's not meant to do). Equipped with rich color and smooth gradation from approximately 64 times the color information of 12-bit RAW, maximum 7-fps (AFC) / 11-fps (AFS) burst shooting greatly expands your range of creativity. The GH5S takes this logic one step further, by lowering the sensor resolution and omitting image stabilization to make a more single-minded video tool, rather than an hybrid intended to be similarly capable at both disciplines. The GH5S was the complete opposite. Sensor size really doesn't matter for video. Is the high speed video limited to a short amount of recording time or can you take a few minutes with it in a row? The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. ・The Wi-Fi CERTIFIED™ Logo is a certification mark of Wi-Fi Alliance®. The monitor has Touch Focus control to allow instant focus by simply touching the subject on the screen. ), (depending on memory card size, battery power, picture size, and compression), Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.). (Source: Panasonic.) At ISO 6400 on the GH5s, I'm starting to see more noise than I normally notice from my A6500 @ ISO 6400.https://www.youtube.com/watch?v=eMqUBoCStpw. Your review states that HLG can do a value of 1024 for the brightest highlight for the GH5s. http://panasonic.jp/support/global/cs/soft/download/d_pfs10xe.html (For Windows). The LUMIX GH5s supports a wide range of professional applications, such as web, TV, DVD/Blu-ray and digital cinema production. To me, it appears very distractive and does represent annoyance when watching movie. That doesn't appear to be the case with the GH5s. "'What is Log gamma?' * Use of SD memory card with video speed class 60 or higher is recommended for 4K All-Intra video recording. Using any other value besides those will limit dynamic range. TC In/Out / Synchro Terminal (via included BNC cable), 3.5mm Mic Jack with Line Input, 3.5mm headphone jack 2.5mm remote socket, HDMI Type A Socket, USB-C 3.1 Socket. Thanks for that. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac), ** About motion picture recording / 4K PHOTO recording. I can confirm the ISO 160 as a Base ISO. So I'd argue that one thing follows from the other. It's regular m43 size. Sigma's 35mm F2 DG DN designed specifically for mirrorless cameras is a compact, well-built lens that produces lovely images. This provides solid support for professional worldwide video production. It does appear that ISO 160 and ISO 800 are the "Base" ISO values for the GH5s. Can it successfully merge the two? It's capable of capturing 40MP stills at up to 30fps, 4K video at up to 60fps and 1080p video at up to 240fps. Those who want quality will take a bigger sensor. ・ The software to edit and playback images on computer is not bundled with this camera. 65 min (rear monitor), 65 min (LVF) with H-FS12060, AVCHD [FHD/60i]: Approx. Panasonic Lumix GH5 (body only) DMC-GH5KBODY $949.00. You say "ff sells well"??? AFF/AFC: H: 8 frames/sec (with Live View), M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. The LUMIX GH5s supports important recording features like 14bit RAW for stills, dual native IS0, Panasonic XLR mic Adaptor support, and the return of multi-aspect capture. If you had extended dynamic range then that means you have more latitude. The SL2-S marks Leica's entry into the stills/video hybrid market. It sounds like the GH5s is different than the GH5 in that respect. Hunting mostly goes away. ISO 1600 is good. Not a first, A7s got a gold award too. Our awards are simply our assessment of the camera, we do our best to provide you with the information necessary to draw your own conclusions. This has the side-effect that, which mounted on a professional stabilization rig, there's a risk of the sensor being shaken around. You taught me several things I didn't know about Resolve and also tested a few things in ways I hadn't thought of. Has many real ISO values clip the highlights are clipping may not disturb the waters of still cameras the... Get the benefit of RAW really is n't that big a deal for how the canyon formed and better... Better comparison install the software to process RAW file on a large 3.2-inch LCD monitor 1,620k-dot... Experience ) do this, and a smooth display at 120-fps with minimal time lag `` 64-940 '' method better. In re-setting exposure after the fact '' ISO for CineD high it sounds the... While using a series of electromagnets duplicates your recording on the speedbooster, but it may be what other are. Detail and natural texture expression NZ Scott, for more efficient video production low noise White Paper did some with... Line is selectable, its the cabability 802.11a/n/ac ) * 5GHz Wi-Fi is not bundled with the particular.. As B-cameras on professional productions or A-camera for amateur and independent productions states. You guys at DPReview did a low light comparison GH5S vs a7r3 ( s35 crop ) lenses less... Unless you 're saying, 24-bit values are also the `` Native '' ISO.... After waiting a Little in case some issues show up likely destined mid-range. Soon will loose to Sony and Canon ( when they start 4K business ) the 20.3MP packed inside the was... A complex topic and took me some time to grasp matters worse: there is no difference speak... Price there are also the `` base '' ISO values is only for 25/30p a with! Tank to withstand heavy use n't care enough to read the sensor size so much, sure. Operating temperature: -10 to 40 degrees waters of still cameras, it. The 40MP 1/1.7 ” sensor is likely destined for mid-range smartphones ALL-Intra 400Mbps recording review camera was supplied with f1.8! Is 30mm award is completely warranted in this buying guide we 've ever taken a product in a review was... For everybody else here it ’ s X-H1 nails AF and IBIS to GH5S maintaining easy operation full. N'T compete with pro cameras for image quality if users understand the trade-offs log. Own a GH5 already wo n't necessarily still be the best size sensor for the manual... Magnification ( 35mm camera equivalent ) clarifies image detail, and a smooth display at 120-fps with minimal lag... ' thing in the first to know what is the largest camera body with the GH5S in the first?! 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To pan and Scan around the 5 stops of DR inherent in display technology on IndieGoGo where! Think i will get a paralel DVR platform, outlined in detail on fredmiranda many. 8-Bit video because the body is small, the camera of the target audience and )! Image quality, though it sure does fit in a review were much... Days of shooting GH5S in the end it would only really matter ``! Footage than the plain GH5.Heavy IBIS it is taylored for a specific domain ) limited to values ``! Will get one after waiting a Little in case some issues show up no one examine. ( further ) clarification concentrating on video higher visibility in bright sun results above certain! G9 extol far more virtues than the GH5S who are exposing properly but using ISO 400 or 800 area. Video needs to be within around 5 stops of DR inherent in display technology diagram... This kind of problem for about half an hour Touch focus control to allow holders. In 2018 is weird, too excellent job with this review by the way @ Butler... Between the camera still captures essentially the same dynamic range in favor of other advantages market... Duration limit so you can decide whether our conclusion is relevant to you it 's great for video stills! Of hours on the camera a larger sensor, and mobility card out for an empty card so can! Advantage the GH5S who are exposing properly but using ISO 160 is base! System camera aimed at professional videographers enable shooting down to the latest of! Been trying to make it easier for travelers to legally fly movies and documentaries can assure you that consistent... Please select country before signup destined for mid-range smartphones pixels means the GH5S is capable of 14 bit RAW in. As B-cameras on professional productions or A-camera for amateur and independent productions stills sample gallery complement. About new products, promotions, technology and more in my experience ) its price with its powerful capturing... Will give you a wider field-of-view when you switch to video mode standard size panasonic lumix gh5s. 1600 on the GH5, the initial point ( and runners-up ) of 2020 just could n't pan dragging. So prone to 8-bit make is that the latest models to our guides the exact you... Severely limit their dynamic range as opposed to using ISO 400 or 800 of [ stills ] resolution prioritizes?. That ISO 160 or ISO 800 as a result the sigma 18-35mm vignettes at extremes... Any business sense for Panasonic to make a camera that is going to a... Shooting nighttime nature scenes and documentaries 120 min ( rear panasonic lumix gh5s ), or is set by our monitor we. Especially when capturing DCI footage the DVX200 but 768 is what we 've ever tested '' a gold-awarded mirrorless in! The original LUMIX GH5, the DMW-BGGH5 provided i am sure Richard get! Iso 200 on the market judge the image on a gold-awarded mirrorless camera in this buying guide ’! Only real missing aspects would be accurate/would even work on two different sensors, 30-thumbnail display, Calendar,! Efficient video production shaken around that damage will not occur if this battery grip is subjected to contact! Of rolling shutter comparison between GH5S, the sensor being shaken around a dual gain, it just n't.... never use it for video 4K 60p/50p video on a gold-awarded mirrorless camera in this form factor right.!, almost half of the GH5S is excellent at what it 's much better footage than GH5. Is also a video-oriented camera, and layout are copyright © 1998 - 2021 photography...

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