Second chapter of the project What Happens to People
and What Happens to the Land is the Same Thing

Exhibition-installation of Melanie Bonajo,
curated by Chiara Nuzzi, curator and art critic,
as part of ACROSS #16, with the cooperation of Claire Migraine.

at 7:00PM at Le Narcissio
16 rue Parmentier, 06 Nice

Exhibition from March 17 to April 2018
Wednesday – Saturday, 2:30 to 6:00PM

Vendredi 20 avril 2018, ouverture exceptionnelle en nocturne (finissage).

À 20h, rencontre (apéritive) avec les commissaires d’exposition
et présentation du projet général What Happens to People and What Happens
to the Land is the Same Thing

Download the press release of the exhibition

Download Melanie Bonajo’s portfolio


Critique de l’exposition par Leïla Couradin, sur

Critique de l’exposition par Hélène Soumaré, sur Point Contemporain

Night Soil – Nocturnal Gardening
(ep.3), 2016
USA / Netherlands, digital, colour, sound, 50’, loop

Night Soil – Nocturnal Gardening is the title of the exhibition-installation dedicated to the eponymous video work realized by Dutch artist Melanie Bonajo in 2016. Transformed for the occasion into a project space where the public can experience the film in a fully absorbing atmosphere, Le Narcissio hosts the last chapter of Night Soil for the first time in France. The project consists of an experimental documentary in three parts that narrates the disconnection undergone by Western people in relation to nature. Considering how communities come together through alternative and pre-colonial uses of land, the video explores indigenous land rights, off-the- grid subsistence, racism and injustice in the food system and the consequences of consumer
behaviour on farm animals.

In this chapter four protagonists with very different backgrounds narrate their stories about radical agriculture. Departing from Bonajo’s curiosity in women who live by alternative norms and have established communities by themselves, Nocturnal Gardening gives greater attention to women characters, as the artist believes their voices are insufficiently heard even today. The four characters all fiercely represent strong and progressive women: Mandana is a Paleolithic revivalist, anarchist and hunter-gatherer from Iran, currently living entirely off the land. She works as an educator and herbalist teaching people about plants on both a spiritual and scientific level. Leah Penniman is a food justice organizer and youth educator at Soul Fire Farm (U.S.A.), a family-run farm working to dismantle the structures of oppression within our food system and end racial injustice through farming, by increasing sustainable growing with people marginalized by food apartheid. Dafne Westerhof is a farmer from Friesland (The Netherlands) who educates people on the behaviour and wellbeing of farm animals and pigs in particular while Lyla June Johnson is a Navajo musician, land rights and non-violent communication activist.

Through such narrations, with the characters disclosing new ways of togetherness, applying measures that interrupt our current rules and speaking out for an anti-capitalist system of care, Bonajo’s combines a quasi-documentary style, that explores how people tackle feelings of fragmentation and alienation, with hallucinogenic fragments springing from her own imagination.

This exhibition-installation is part of the events programme What Happens To People And What Happens To The Land Is The Same Thing curated by Chiara Nuzzi in the frame of the residency ACROSS organized by thankyouforcoming in Nice. The project explores the role of art in ecological emergency, investigating its intersections with environmental commitment, political ecology and indigenous knowledge in relation to our time.
The whole programme, divided in different episodes covering the whole residency, presents works that question nature’s inextricable bonds to economics, technology and culture. The first chapter of the project took place on February 15th with a curator’s lecture and a screening night running from 7.30 to 9.30 pm at Le Narcissio. The session presented a talk by the curator and a selection of works by artists Ursula Biemann & Paulo Tavares, the Karrabing Film Collective and Uriel Orlow.
The further two chapters of the programme entails this exhibition-installation and a collective exhibition in the shape of a sound walk taking place in a Botanical Garden of the French Riviera (launching on April 22d) with contributions, among others, by Islands Song (Silvia Ploner & Nicolas Perret), Annika Kappner, Giacomo Raffaelli and Anna Raimondo. On this occasion, French artist Mathilde Dadaux will present a new specifically conceived performance.

The third season of the program ACROSS is realised with the support of the Region Provence – Alpes – Côte d’Azur.
The events program is realized with the support of the Prize ON BOARD 2017 promoted by MiBACT Ministry of Cultural Herit- age and Activities and Tourism – General Directorate for Contemporary Art and Architecture and Urban Suburbs and by GAI – Association for the Circuit of the Young Italian Artists.


In her work, Melanie Bonajo examines the paradoxes inherent to ideas of comfort with a strong sense for community, equality, and body-politics. Through her videos, performances, photographs and installations, she studies subjects related to how technological advances and commodity- based pleasures increase feelings of alienation, removing a sense of belonging in an individual. Her experimental documentaries often explore communities living or working on the margins of society, either through illegal means or cultural exclusion. Captivated by concepts of the divine, Bonajo explores the spiritual emptiness of her generation, examines peoples’ shifting relationship with nature and tries to understand existential questions by reflecting on our domestic situations, ideas around classification, concepts of home, gender and attitudes towards value.

Bonajo’s work has been exhibited and performed in international art institutions, such as Tate Modern, London; EYE Film Museum, Amsterdam; STUK, Louvain; de Bond, Bruges; Rogaland Kunstsenter, Stavanger, Norway; De Appel Arts Centre, Amsterdam; Centre for Contemporary Art, Warsaw; the Stedelijk Museum, Amsterdam; the Moscow Biennale; National Museum of Modern and Contemporary Art, Seoul; Fondazione Prada, Milan;PPOW Gallery and PS1/MoMA, New York. Her films have been screened at Kunsthalle Basel (2016), and numerous fes vals such as International Film Fes val Rotterdam (IFFR), International Documentary Film Festival Amsterdam (IDFA) and the Berlinale. In 2012, she initiated the collective Genital International, which tackles subjects around feminism, participation, equality, our Earth: ‘Politics beyond Polarity’ and ‘Revolution through Relaxation’.

Bonajo has contributed to several art magazines, was creative editor of Capricious Magazine, and curated various shows, such as the QQC Performance Festival about pop music in visual arts at the Paradiso, Amsterdam. She published several books, the most recent being: ‘Matrix Botanica, numero 1 – Non-Human Persons,’ designed by Experimental Jetset and published by Capricious Publishing (New York). In 2013, she released an album with her band ZaZaZoZo (in collaboration with Joseph Marzolla) called Inua. She is currently working at a solo-project called Mel’s Positive Morning Exercise. The first song was released on youtube in 2016. Bonajo surf fluidly through various platforms of high and low culture, organizing events, and by using her music/videoclips in her films and using social media for her music and collaborative projects.

Melanie Bonajo studied at the Gerrit Rietveld Academy and completed residencies at the Rijksakademie voor Beeldende Kunst in Amsterdam (2009-10) and at ISCP in New York (2014). Last year, she was shortlisted for the 57th Venice Biennale. Her film Night Soil— Economy of Love, recently awarded for the IFFR Tiger Awards (2016), has been produced and screened by Schunck, Heerlen (2015), was shown at a.o. Tate Modern, London, AKINCI, Amsterdam (2015) and EYE Film Museum, Amsterdam (2016). Recently, Melanie Bonajo presented her Night Soil trilogy in a solo show at FOAM, Amsterdam, now acquired by Bonnefantenmuseum, Maastricht. The trilogy has recently been exhibited at Frankfurter Kunstverein and Haus der Kunst München. Last March she premiered her performance Pilgrimage with the Animal at Tate Modern.









Photo 1 to 5
Melanie Bonajo, vue de l’exposition Night Soil – Nocturnal Gardening, Le Narcissio, Nice, Avril 2018.
Cur. Chiara Nuzzi, dans le cadre de la résidence ACROSS.
Production : Thankyouforcoming / Claire Migraine.
Photo : François Fernandez.

Photo 6 to 8
Melanie Bonajo, Night Soil – Nocturnal Gardening, 2016, video still.
Courtesy the artist and AKINCI Gallery, Amsterdam.